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Studio Technologies Model 742A Audio Mixer

Product Code: ST-M742A

Key Features
The Model 742A Audio Mixer is expressly designed for use in electronic-news-gathering (ENG) vehicles and small production truck applications. Many other fixed and mobile audio production, on-air, and utility applications can also be supported. Model 742A features include four mic/line inputs with 48 volt phantom power, four line inputs, two output buses, LED level metreing, flexible monitoring, and AC and DC powering. The Model 742A was specifically designed as a dual-channel audio mixer, rather than as a typical stereo device. This approach makes it excellent for "dual-path" on-air applications. As a utility mixer the Model 742A can create two independent monaural signals, excellent for general signal monitoring, talent cueing, or intercom support uses.
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Studio Technologies Model 742A Audio Mixer

The Model 742A is targeted for use by operators with numerous audio sources that need to be quickly and reliably adjusted and routed to create one or two independent audio mixes. In these days of operators having too many tasks to handle, and too little time to do them, the Model 742A is a refreshing combination of performance and simplicity. Using their experience in mobile broadcast applications, the engineers at Studio Technologies were able to design the Model 742A to include all the crucial features required to meet the needs of fast-paced news-gathering operations, while still providing the operator with an easy-to-use product.

The hallmarks of the Model 742A are application flexibility, simplicity in use, audio quality, and long-term reliability. For powering, the unit can be directly connected to an AC mains source. A true "universal input" design that's intended for worldwide use, the input voltage can range from 100 to 240 volts, 50/60 Hz. A source of 10 to 18 volts DC can also be connected to power the Model 742A. If both AC and DC sources are connected, the AC source will power the unit while the DC source will serve as a backup. In this way a battery can be connected, ready to serve in a standby capacity.

A carefully selected feature set ensures that the Model 742A will be a "team player" when it is integrated into an audio system. A number of internal configuration "jumpers" allow the unit's performance to be tailored to the needs of specific installations. And while there's flexibility on the inside, the operator is presented with an easy-to-use set of front-panel controls and indicators—the operator typically never has to access the back panel to operate the unit. In this way the goal of delivering successful on-air and production audio, day-after-day, can best be achieved. The Model 742A's audio quality is "pro" throughout. The components were carefully selected to deliver low-noise, low-distortion performance.

Long-term reliability was also part of the Model 742A's design criteria. To that end the unit's enclosure is made of lightweight yet rugged aluminum with a steel front panel for overall rigidity which adds to rack-mounting stability. On the inside, a conservative circuit design combines state-of-the-art integrated circuits for sonic quality with numerous filtering and protection components for long-term reliability.

Mic/Line Inputs

Four input channels are provided for connection to microphone or line-level signals. The electronically balanced circuitry is "ruggedized" for reliable operation under tough operating conditions. The low-noise, low-distortion, high-headroom audio performance is what's expected of sophisticated "pro audio" equipment. Features provided for each input channel include an input sensitivity button, rotary level control, signal level status LED, and output bus assignment switch. To support condenser microphones, the four mic/line inputs can be individually configured to supply 48 volt phantom power. Four DIP switches, accessible on the back panel, allow individual channel phantom power on/off control.

For ease of use, each input's rotary level control sets the gain of the input circuit as well as the level being sent to the selected main output bus (or buses). For convenience the input sensitivity button, as with the other Model 742A operator controls, is located on the front panel. For operator assistance, a dual-color level status LED provides signal present and peak level indication.

Associated with each mic/line input channel is a 3-position output bus assignment switch. This allows each input to be assigned to bus 1, bus 2, or both, quickly creating two fully independent audio "feeds." Bus assignment switches, rather than the more-typical "pan pots," were specifically selected for the Model 742A's design. This allows a more positive assignment of an input source to the desired output bus (or buses), minimizing the chance of unwanted "leakage." Pan pots are fine in an audio mixer destined for use in stereo music situations, but are inferior when used for two-bus applications.

Line Inputs

Four input channels are provided for connection to line-level signals. Features provided for each line input channel include a rotary level control, level status LED, and output bus assignment switch. The rotary level control is used to set the amount of input signal that is sent to the selected main output bus (or buses). The dual-color level status LED provides signal present and peak level indication. A 3-position switch allows the input signal to be assigned to the desired output bus (or buses).

For further information please view the attached Datasheet.

Warranty

We offer a 3 year warranty on this product from its date of purchase. For more information regarding our support, repair and warranty, please download our Warranty Guide here.

Trade Terms
The above item is non-returnable, unless defective. Please ensure part numbers and descriptions are as required before placing this order. If any confirmation or information is required please contact AV Sales on 1800 00 77 80.
General Audio Parametres:
Frequency Response: 20 Hz to 20 kHz, ±0.5 dB, mic/line in to main outs
Distortion (THD N): 0.03 %, measured at 1 kHz, 4 dBu, mic/line in to main outs
S/N Ratio: 74 dB, referenced to 4 dBu, mic/line in to main outs, 22 Hz to 22 kHz
Mic/Line Inputs: 4
Input Sensitivity: switch selectable for microphone or line-level signals; 44 dB line input "pad" implemented using sealed bifurcated contact telecom relays
Phantom Power: 48 Vdc, nominal, meets IEC 61938 P48 standard
Operating Level Range: mic input position: –76 to –8 dBu; line position: –32 to 28 dBu. Range specified to give 4 dBu on main outs, master level controls set to unity gain.
Type: electronically balanced
Impedance: mic position 1.3 k ohms, line position 15 k ohms
Common Mode Rejection Ratio: 74 dB @ 60 Hz, 73 dB @ 40 kHz (typical), mic position, ref 4 dBu on main outs
Status LED: dual-color, displays signal present and peak
Line Inputs: 4
Operating Level Range: –14 to 28 dBu. Range specified to give 4 dBu on main outs, master level controls set to unity gain.
Type: electronically balanced
Impedance: 24 k ohms, nominal
Common Mode Rejection Ratio: 85 dB @ 60 Hz, 85 dB @ 40 kHz (typical), ref 4 dBu on main outs
Status LED: dual-color, displays signal present and peak
Compressors: 2
Function: controls dynamic range of output buses 1 and 2
Type: single-knee, VCA-controlled
Slope: 5:1
Threshold: configurable, choices are: 6 dB over nominal ( 10 dBu on main output, factory default); 2 dB over nominal ( 6 dBu on main out); disabled
Attack Time: 2 ms
Release Time: 100 ms
Status LEDs: 2, compressor active
Main Outputs: 2
Type: electronically balanced, capacitor-coupled, intended to drive balanced or unbalanced loads of 600 ohms or greater
Source Impedance: 50 ohms, nominal
Nominal Level: 4 dBu
Maximum Level: 26 dBu into 10 k ohms, 25 dBu into 600 ohms
Monitor Outputs: 2
Signal Sources: output buses 1 and 2
Type: electronically balanced, capacitor-coupled, intended to drive balanced or unbalanced loads of 600 ohms or greater
Source Impedance: 50 ohms, nominal
Nominal Level: configurable, choice are: 6 dBu, with monitor level control @ 100%, mode configured for POST level control; –10 dBu when configured for PRE –10; 4 dBu when configured for PRE 4
Maximum Level: 26 dBu into 10 k ohms, 25 dBu into 600 ohms
Headphone Output:
Signal Sources: output buses 1 and 2 ("post" monitor level controls)
Type: stereo, configured to drive headphones through 100 ohm series resistors
Compatibility: intended for connection to headphones with impedance of 100 ohms or greater
Maximum Voltage: 8 Vpp, 100 ohm load
Reference Tone:
Frequency and Wave Form: 400 Hz nominal, sine wave (technician can revise to 1 kHz)
Direct Output Level: 4 dBu, nominal, adjustable over –1/ 3 dB range
Direct Output Type: electronically balanced, capacitor-coupled, intended to drive balanced or unbalanced loads of 600 ohms or greater
Direct Output Source Impedance: 100 ohms, nominal
Meters: 2
Function: displays level of output buses 1 and 2
Type: 10-segment LED, modified VU ballistics
Connectors:
Mic/Line and Line Inputs: 3-pin female XLR
Main Outputs: 3-pin male XLR
Reference Tone Direct Output, Monitor Outputs, Headphone Output: ¼-inch 3-conductor phone jack
AC Mains Input: 3-blade, IEC 320 C14-compatible (mates with IEC 320 C13)
DC Input: 4-pin male XLR
AC Mains Requirement: 100-240 volts (–15/ 10%), 50/60 Hz, 15 W maximum
DC Input: 10-18 volts DC, 1.0 A maximum @ 12 volts; 1.1 A maximum @ 10 volts; current draw when AC present is less than 100 uA
Dimensions (Overall):
19.0 inches wide (48.3 cm)
1.72 inches high (4.4 cm)
9.2 inches deep (23.4 cm)
Mounting: one space (1U) in a standard 19-inch rack
Weight: 4.3 pounds (1.9 kg)

Specifications subject to change without notice.

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